Compared to literary studies, the discipline of art history has been slow to theorize the complex relationship between historical reality and its representations. Anselm Kiefer and Art after Auschwitz examines the legacy of German-Jewish culture in the aftermath of the Holocaust. Positioning Kiefer as a deeply learned. Anselm Kiefer and Art After Auschwitz examines the possibilities and limits of painting in the aftermath of the Holocaust. Positioning Kiefer as a.
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Anselm Kiefer And Art After Auschwitz by Lisa Saltzman
Kiefer pivots between a wish to mourn the past and, therefore, to work through his belated relationship to Hitlerism, and kiefee melancholic realization that forgetting the past is impossible for him.
Wolfe Tone rated it really liked it Jan 31, Architecture in the Age of Stalin: Samuel Lee marked it as to-read Feb 27, Art Books Art History: Because Kiefer is in a belated relation to history, he is in the impossible situation of trying to come to terms with events that shattered his identity, but that he never experienced directly. Icarus, Kiefer and the burdens of history; 3. Anselm Kiefer and Art after Auschwitz. Lists with This Book. Check out the top books of the year on our page Best Books of Michael Garguilo rated it really liked it Sep 09, Ariella rated it really liked it Jan 18, Book titles OR Journal titles.
Cambridge Studies in New Art History and Criticism: Anselm Kiefer and Art after Auschwitz
Cambridge University Press, We’re featuring millions of their reader ratings on our book pages to help you find your new favourite book. Unlike the strict injunction against iconography in the paradigmatic essays by Adorno and Mulvey, however, Kiefer registers ambivalence about the prohibition against image making.
Other books auschhwitz this series. Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
Abd, thematically, and philosophically, Kiefer’s work probes the auschwizt and ethical dilemma of representing the unrepresentable, the historical catastrophe into whose aftermath the artist was born.
To see what your friends thought of this book, please sign up. Positioning Kiefer as a deeply learned artist who encounters and represents history in painted rather than written form, Lisa Saltzman contends that Kiefer’s work is unique among postwar German artists in his persistent exploration of the legacy of fascism.
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Anselm Kiefer and Art after Auschwitz – Lisa Saltzman – Google Books
Leslie marked it as to-read Nov 19, Want to Read saving…. The Rhetoric of Purity: Eric Jones rated it liked it Jul 06, Elizabeth Berg rated it really liked it Nov 17, Bakhtin and the Visual Arts Deborah J. Culture Two Vladimir Paperny. Developing an eclectic model indebted to psychoanalysis, feminist ajselm theory, and narratology, Lisa Saltzman places a leading German artist, Anselm Kiefer b. No eBook available Amazon.
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Anselm Kiefer and Art after Auschwitz.
Hardcoverpages. Account Options Sign in. Compared to literary studies, the discipline of art history has been slow to theorize the complex relationship between historical reality and its representations.